The Boys of Dungeon Lane by Paul McCartney (2026)

A release by Macca deserves a slightly longer review than a Facebook post.  This album has been hyped for months and the MPL/Universal-Capitol machine has done a great job with awareness.

Fourteen tracks, between 4:46 and 2:24 in length.  McCartney can still write lyrics that evoke memories of our own and feelings, too.  The shortest track might be my favorite of the memory lane visits–“Down South,” which describes teenage hitchhiking trips with George Harrison.  Of course “Home to Us,” the first duet with Ringo ever, is destined to be a crowd pleaser and it’s one to bring a smile for sure.

It makes sense that an eighty-four-year-old would be looking back at his youth, parents, and hometown.  I don’t think “Days We Left Behind,” “Salesman Saint,” and “Momma Gets By” are quite as successful as songs, but there are pleasant arrangements and moments in all of them.  Particularly ‘Days’ suffers from what I think is McCartney’s inability to sing in his head voice like he used to.  The songs that stay lower are more pleasant to hear.

I heard that “Lost Horizon” is the oldest-written song on the album, and it’s at least my early favorite on the album.  On this one it sounds almost like New Wave and it wouldn’t have been out of place on the Tug of War album.

One of the ‘good’ things about our streaming era is that you don’t have to commit to buying this album to give it a listen. Go to your preferred streaming service and see if you agree with me about anything I wrote!

As a bonus, I watched this interview last night and it was the best one of all the “press” he’s done.  It’s only about thirteen minutes.  Watch “Chicken Shop Date” on YouTube for a couple of genuine laughs and see how fondly he gets in his head talking about Linda, who died in 1998.

The Beatles Anthology 2025 (Disney+)

I’ve been a huge fan of The Beatles ever since I could listen to music. (It comes from having older brothers with good taste as well.) I watched the original broadcast on ABC and still have a VHS tape of the off-the-air broadcast around somewhere. I bought the DVD set a few years ago which has most of the “Threetles reunion” bits on the special features disc. My mom gifted me the book the Christmas it was published.

This new packaging of the Beatles’ official story doesn’t have a lot of new material in it, but the live recordings have all had the Peter Jackson “MAL” magic done to them.  In the process EVERY recording is leveled much higher than any speaking interview, which is jarring and annoying.

I have read that some bits were dropped from the original show and some new things inserted, but I can’t tell you which ones they were.

I enjoyed rewatching this show over several days.  Just like with “Eight Days a Week,” Ron Howard’s 2016 film, the renewed revelation is just how mesmerizing they were as a live band.  Someone like me has read all the minutiae about recordings and squabbles, but hearing and seeing them in their prime is just so darn good!

There’s a lot of grumbling in fan circles about the accompanying “Anthology 4” record–it doesn’t have much “new” in it, but the audio therein and for Anthology 1-3 has also had the “MAL” process on it.  If you listen carefully the new mix of “Real Love” also has gotten rid of a large portion of George’s guitar work, which is a very strange choice to make.

Overall, Anthology 2025 is still a must-watch for anyone new to the Beatles’ story, and it’s compelling for the rest of us, too.

 

Nowhere Boy (2009)

I happened onto this as a short clip on YouTube, then I found the full movie posted. (I think it’s also currently on Netflix.) I missed this one when it came out as I was in full work-family mode then.  As someone who’s read every major biography of John Lennon, I was curious to see how this one stood up.

Answer: it’s OK. I think my reaction was muted because I knew what was going to happen at just about every stage.  It’s good to see Mimi’s love for John come through. The brief period where John’s mother Julia re-enters his life is heartbreaking.

The best part of the movie is Julia showing John those first chords on the banjo and seeing the unfocused teen engaged and engrossed in something for the first time in his life.

All in all, if you haven’t seen this one yet, you’re not missing much.